TMOUH is primarily a story of margins and marginalized; the ones who are ‘misfit’ for the soceity, the dunya as Anjum rightly called it, where hegemonic majoritarian politics make identities like being Queer, Woman, Dalit, Adivasi, Muslim, Kashmiri, Drug Addict, Syrian Christian, Poor and Uneducated the easy target of unbridled and insatiable hatred.